Monday, February 19, 2007

DTS sees strength in impending split of two divisions; electronics, digital units face different challenges.

http://www.entrepreneur.com/tradejournals/article/print/160590890.html

by Madler, Mark R.

San Fernando Valley Business JournalFeb 19, 2007 •

Faced with two business divisions growing at different rates and in different directions, DTS Inc. will spin off its digital cinema business later this year.

How that will be done has not been decided as company officials continue to meet with bankers and investors to determine which direction to pursue to best serve the company, its shareholders, and customers.

The DTS electronics division would remain in Agoura Hills while the newly-named DTS Digital Cinema will be headquartered from an existing facility in Burbank.

By splitting the company in two, executives remove from the equation how the decisions made for one business unit will affect the other.

"We think a pure focus in both businesses on the markets that each serves will result in us being able to service our customers as well as to competitively win in these markets," said President and CEO Jon Kirchner.

Founded in 1993. DTS became a major player in the entertainment audio business as its products found their way into movie theater sound systems, home theaters, car audio, and PC and gaming consoles.

The electronics division licenses its entertainment technology to all the major consumer products manufacturers. It is the well established, low-investment, and high profit division of the company.

The digital cinema side is quite the opposite--a capital intensive business still in its early stages.

Showing its strength

Spinning the digital cinema business off is a good maneuver for DTS as it will show the value of the strong revenue stream of the electronics division, said Barbara Coffey, an analyst with investment banking firm Kaufman Bros.

"If you have one business that is losing money and another business that is making money if you put them together you can't see the strength of the one because it is hidden by the losses of the other," Coffey said.

Company executives have evaluated the two divisions over the past several years and in November formally announced the split.

In what form the breakup takes remains unknown.

DTS could sell the digital cinema business to a private or strategic investor; it could spin off the business into a separate publicly traded company; or bring in a majority partner to move the business forward and DTS would maintain a minority stake.

Each option has its pros and cons and those are being evaluated by company officials, bankers and investors, Kirchner said.

A 14-year veteran of the company, Kirchner, CFO Mel Flanigan, and general counsel Blake Welcher will remain with the electronics business. Other company executives will move over to the digital cinema side.

For its audio products, DTS faces competition from Dolby Laboratories, Inc. In the digital cinema arena, it faces multiple competitors, including Technicolor in Camarillo.

Still not in U.S.

Whereas Technicolor has its digital cinema equipment in theaters in the U.S. and Europe, the single rollout by DTS has been in Ireland. Getting its equipment into U.S. theaters should happen by year's end.

Out of the 36,000 indoor movie screens, about 1,000 are equipped to show digital films, according to statistics from Digdia, a Silicon Valley consulting firm for the digital entertainment industry.

By MARK R. MADLER

Staff Reporter

Tuesday, February 6, 2007

Sony and Cathay Cineplexes Introduce CineAlta 4KT Digital Cinema Systems to Singapore

http://www.digitalcinemainfo.com/sonyprofessional_12_06_07.php

December 6, 2007 Source: Sony Professional

Sony is pleased to announce the installation of the latest CineAlta 4K™ SRX-R220 digital cinema projectors, together with the LMT-100 Media Block servers and LSM-100 Screen Management System for the Cathay Cineplexes in Singapore, one of the leading cinema operators providing quality entertainment in Singapore, Malaysia and Dubai.

Sony is equipping two Cathay Cineplexes in Singapore, including their flagship The Cathay Cineplex, with the ultra-high-resolution SRX-R220 Digital Cinema Projectors. Combined with Sony’s LMT-100 Media Block servers and LSM-100 Screen Management System, the projector systems are specifically designed for digital cinema applications. The project is expected to be completed early next year. Upon the completion of the installation, movie-goers are able to enjoy the ultimate viewing experience jointly presented by Sony and Cathay Cineplexes.

"We are very impressed with the CineAlta 4K technology, as well as the professional services rendered by Sony. The deployment of the enhanced digital technology in our cinemas demonstrates our continued commitment to provide quality entertainment to our valued patrons," said Suhaimi Radfdi, President of Cathay Organization Holdings Ltd. "We are now planning to introduce this advanced technology to our cinemas in Malaysia and Dubai, so that more movie-goers can immerse themselves in the superior cinematic experience."

Designed to conform to the DCI (Digital Cinema Initiatives) specification requirements, Sony's CineAlta 4K digital projector offers uncompromising picture performance and functionality – a landmark for next generation movie viewing.

"Sony has always been in the forefront of developing innovative solutions for the emerging digital cinema market. Building on the unique SXRD™ (Silicon X-tal Reflective Display) technology, the new projector offers an extraordinary 4K image resolution which is more than four times the pixels of the best HDTV specifications (1920 x 1080); and Singapore is the first place in Asia Pacific to enjoy this technology," said Kozo Tetsuya, Division Managing Director of Broadcast and Professional Pacific Asia Company, a division of Sony Corporation of Hong Kong Ltd. "We are delighted to see Cathay Cineplexes provides a good exemplar for the exhibition and motion picture industries by adopting the 4K digital cinema technology."

SRX-R220, an ultra-high-resolution projector, is designed specifically for digital cinema applications. The SXRD™ imaging devices used in the SRX-R220 projector make it possible to realize its 4K resolution derives from its 4096 H X 2160 V pixel matrix, which is stipulated by the Digital Cinema Initiatives, LLC (DCI). It also provides a brightness level of SMPTE standard 14 ft-L* on a 20-meter (65.6-feet) wide screen and a high contrast ratio of 2000:1.

Since the SRX-R220 projector provides four times the resolution of 2K projectors, the visual quality of 2K and HD content is also improved over those provided by native 2K and HD resolution projectors.

In addition, the LMT-100 Media Block is a digital cinema server that can handle DCI DCP media, which is a key component in establishing highly secure theater systems. The LMT-100 server handles DCP (Digital Cinema Packages) files that consist of picture, audio and subtitle data files, and they are wrapped into a MXF (Material eXchange Format) file. It can play back the DCP file by using advanced processing to decrypt and decode the picture data, and then send it to the projector over a secure multi-pin connection system.

While the LSM-100 Screen Management System provides a variety of screen management operations such as show scheduling, communication with other theatre control of the SRX series projectors and the Media Block.